Everything has already happened
by the time the light reaches us.
We arrive late for the appointment
with our life
- in fact, we didn’t even arrive.
We are pure past-.
Natalia Fernández Díaz-Cabal:
She's polyglot, translator, professor, (non-digital) nomad, international lecturer, entomologist of words, inveterate cultivator of curiosity, stubbornly self-taught visual artist.
She has been a poet since she was a child, before she had any memory or awareness of being a poet.
Ph.D. in Linguistics and Ph.D. in Philosophy of Science. She has given lectures, seminars, recitals and courses in many countries around the world. She has published books of poetry and essays.
Everything has already happened
by the time the light reaches us.
We arrive late for the appointment
with our life
- in fact, we didn’t even arrive.
We are pure past-.
The sculpture depicts the artist seated with a bird perched on her hand, ready to take flight.
Its placement in the open-air invites reflection on the relationship between humans and the environment.
The title 'Gravitational Perceptions' represents the artist's ability, through her creative exploration, to fly freely like a bird, almost defying gravity.
The artistic dialogue unfolds between the subject, the observer, and the space in which the work resides. This outdoor setting ideally dissolves the boundaries between art, spectator, and landscape. To enrich the experience, the visitor hears the music inspired by the sculpture, composed by Florentine pianist Ale Rapisardi, who has previously scored works by Mikaya Petros.
In a world where art questions the possibilities of being, this installation stands as a symbol of freedom and transformation. It invites us to break the chains of the ordinary and explore the infinity of our potential, urging us to see the world with new eyes and perceive the beauty of the invisible.