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Agnes Avermaete (B)

Ceramics & porcelain

Trying out and mastering different techniques is what it's all about for me


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Alain Snyers (F)


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Anita Buvens (B)


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Ann Geirnaerdt (B)

Lost-wax casting technique, bronze

Bronze figures that show strength but also vulnerability


Burkina Faso:
Ann Geirnaerdt attributes her present style of working with bronze to a three year stay in Burkina Faso (West Africa), where she was able to experiment full-time with the lost-wax casting technique using bronze.

Ann Geirnaerdt:
Each of my sculptures tells its own story, starting from personal experiences and emotions that I want to give the place they deserve. In this way, my works show, in a very rewarding way, strength but also vulnerability.

Themes:
Ann Geirnaerdt deals through her works with the themes of man who is constantly "searching", who needs closeness, security, but at the same time wants to maintain his own strength. The man who longs for a certain harmony and wants to live life to the full, sometimes vulnerable, sometimes strong, always looking for his cosy nest, which he also prefers to share with others.

Material:
What makes her work special is the inspiration coming from natural materials. In the construction of her works she regularly uses natural materials such as bark, branches, plants, and leaves, which inspire her enormously due to their movement and structure. These materials leave an imprint which she gratefully takes up and shapes.

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Ann Van Dessel (B)


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Anne Hallet (B)


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Anne Meerbergen (B)


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Annemarie Steenbergen (NL)


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Annika Cannaerts (B)


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Anouk Ganzevoort (B)


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Antonia Iliescu (B)


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AXEL & KÈTUL (B)


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B. Jane Cowie (Singapore)

Glass, metal, LED

Waste glass transformed into glass sculptures inspired by the plant world to enliven and illuminate both small gardens and public spaces


B. Jane Cowie:
She has been working with glass for more than30 years. After gaining a degree in Visual Arts at Sydney College of the Arts, her commitment to art making, desire to learn and passion for glass inspired her to travel extensively.
She has worked in numerous glassmaking studios and factories in Australia, England, Europe, USA, China and Japan to develop technical skill and an intimate understanding of glassmaking techniques and applications.

South Australia:
B.Jane Cowie has played an important role in the development of contemporary craft in South Australia during the 1990’s, as Board Member of the JamFactory, CraftSouth and Board Member and President (1999-2021) of Ausglass: The Australian Association of Glass Artists. She has coordinated glass conferences, curated exhibitions, and taught in various educational facilities around the world.
In 2005 she was awarded a Master Degree of Visual Arts.

Singapore:
Most recently B.Jane Cowie has been contributing to the built environment of Singapore for over 10 years, installing art glass in numerous open air public situations.

Process:
B.Jane Cowie is designing, making and installing artworks and large-scale glass installations which are purpose built for private and commercial spaces
It means she now had to work with larger teams of project managers, makers and installers situated in Singapore.
Exhibitions :
More recently B.Jane Cowie has returned to a more personal exhibition practice through a series of Research Methodology Workshops and exhibitions in Mittagong, Perth and Canberra, and now 'The Enchanted Garden', her first exhibition in Belgium and Europe.

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Ben Kapteijns (NL)


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Bénédicte Maréchal (B)


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Bernard Cwiek (B)


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Bernard Lichtaard (NL)


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Bettina Forment (B)


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Betty Moerenhoudt (B)


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Bram Eliaert (B)


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Captain Bebop & B-Art (B)

Glass and corten steel


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Carol Youngner (B)

Float glass, fusing, moulding, colouring

Coloured, fused and moulded glass expressing man's impact on nature


Carol Youngner:
I wish to express the influence that humans have on nature; to show the structure and constraints that we put on nature. It is often a necessity for our survival.


Subject:
Carol Youngner: 'My inspiration comes from seeing farmlands and vineyards and comparing them to natural unchanged landscapes. This is particularly easy to see from the air.'


Techniques:
Carol Youngner: 'I use float glass that I color, cut and assemble, using the justaposition of the pieces and the light shing through to show structure and movement. The crystal pieces are done with molds and show more direct landscapes, still it shows the structure we impose.'


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Carolien Libbrecht ()


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Caroline Moxhon (B)


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Christian Delory (B)


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Christiane De Coster (B)


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Christophe Abbès (B)


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Christophe Pineau-Thierry (F)


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Cis Van Peer (B)


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Claire de Viron (B)


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Claire Légat (B)


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Cor de Ree (NL)

Copper, glass, zinc

Works of art created in glass, copper and zinc with a useful and aesthetic function and in an Art Nouveau style with a unique interpretation.


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Cora de Vos (NL)


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Cristine Baena (Brasil)


Cristine Baena:
She explians the concept of her artworks:
"Any art piece needs the spectators to feel it and connect with the message. The leaves inside the glass are the message, the connection. The poetic behind the glass."


Subject:
The main idea of the work 'Resurrection' of Cristine Baena in 'The Enchanted Garden' is to create the connection to the spectator, a meaning.
Each one of us is part of nature and feel connected to each other. The leaves in the artwork are frozen in time and will live for eternity encapsulated for thousands of years. Glass is eternal. And not toxic. Ressurrection is about this continuity.


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Daniël Olislaegers (B)

Glass, metal

Architectural glass artworks


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Danny Beinsberger (B)

Glass (fusion)

Abstract and unique works of art in fusion glass play with the nuances of light


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Desiree-Christine van Blitterswijk ()


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Diane De Bruyn (B)


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Dick van Welzen (NL)


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Dominic Huyghe (B)


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Dorian Vanhorenbeeck (B)

Combines traditional and digital sculpture techniques


Dorian Vanhorenbeeck:
He's well-versed in both hand-carving methods and digital creation using artificial intelligence (Al) and robotics. He emphasizes the evolution of the stone sculptor profession, incorporating innovative technologies as bridges to new possibilities.


Subject:
Dorian Vanhorenbeeck is a Belgian-Luxembourg designer sculptor who creates sculptures that are a mixture of classical art, robotics and a personal technique for a Pop-ART result.
(Ref. worldartdubai.com/Post.aspx?id=14714)


Vision:
Dorian Vanhorenbeeck's inspiration primarily stems from nature, plants, mythology, and fairy tales. The artist emphasizes the importance of being emotionally aware during the creative process, emphasizing the need to stay in the moment to capture the details accurately.


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Edith Oeyen ()


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Elise Vos (NL)


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Ellen Rijsdorp (NL)


Ellen Rijsdorp:
Working and living in Delft, a city with a rich tradition in ceramics, not just Delft Blue! Having previously lived and worked in the Kruithuis, formerly a gunpowder depot built in 1660, she is now situated near the old town, and her workshop moved to Bacinol2, a centre for artists and small innovative companies.


Inspiration:
Ellen Rijsdorp's ceramic objects are inspired by natural structures such as sand dunes, ice crystals, wood, rocks and leaves. Structures she sees and finds at home and whilst travelling. Her objects have large increasingly convex surfaces, accentuated with small textured elements: highly structured and yet chaotic at the same time, always balanced and harmonized with her very refined surfaces and colours.


Technique:
A wheel-thrown shape provides the primary basis for Ellen Rijsdorp's objects. After a solid ceramics education in Gouda (1985-1991) - where the focus was on the ability to produce specific shapes of high quality - she embarked on the journey of developing her very own personal shapes, textures and style.
Her double-walled forms are understated. They look soft as velvet, asking to be touched.


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Els & Tom Bleijenberg (NL)


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Elsbeth Boom (NL)


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Elya Yalonetski (D)


Elya Yalonetski:
She's an award-winning Berlin-based artist who has been successfully working with ceramics for 20 years, combining her original traditional training from the Russian school of ceramics with Baroque and Renaissance elements in her sculptures and figurines. She has changed several countries of residence, but has always followed her own recognizable style.


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Erika De Stercke (B)


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Eva Vanmol (B)


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Evelyn Hamoir (B)

Bronze, ceramic, resin

Each sculpture represents a moment in life, an emotion, a movement or a dialogue with space


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Gérard Ansaloni (F)


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Gerard Scharn ()


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Gerda De Vrieze (B)


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Germain Droogenbroodt ()


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Goedele Miseur (B)


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Guy Deltour (B)

Ceramic

A combination of Umberto Eco's "In the name of the rose" and Escher's drawings where we fall from one surprise into another?


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Hans Koenen (NL)

Female figures in bronze and stone. Combining nature elements in bronze.


Hans Koenen:
Life's path along development projects mainly in Africa and Eastern Europe has left lasting and beloved marks.


Subject:
Hans Koenen creates sculptures of female figures in bronze or stone.
They have large openings to create transparency, dominate less and integrate into the environment. They express fragility, stimulate curiosity, perception and narrative.
For the bronze sculptures, he prefers to use shapes and structures from nature.


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Hedwig Du Jardin (B)


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Helen Twigge-Molecey (United Kingdom)


Helen Twigge-Molecey:
She's an award-winning artist and designer who enjoys working in different media - especially glass. She's interested in how you can effect change through a positive experience. Underpinning her work is a desire to make it beautiful, simple accessible and fun.


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Helga van Lier (B)


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Hendrik-Jan de Wit (NL)


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Herman Cogghe (B)


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Hermien Buytendijk (NL)

Ceramic

Life-size, humoristic sculptures in earth tones resemble circus performers who wonder why the spectators are looking at them


Hermien Buytendijk:
. The sculptures are often made from an evolving sketch but change during the creation of the sculpture. It is also possible that they are modelled after a word or a title. Also the naming is often the result of a game of question and answer with the sculpture. In this way, many crazy word combinations have arisen and the resulting sculptures are always different and unique.

Stripes of clays are used to create a hollow sculpture (stoneware or porcelain) They are kneaded together and dented. Often, Hermien Buytendijk is working simultaneously with several sculptures in different stages of development.
They are painted with colour slips and scratched in, then they are baked in the oven at 900 degrees. Then they are rubbed with dyes from metal powders and glazed and fired at a minimum of 1200 degrees. This is often followed by a firing at 800 degrees to burn off some gold.

Hermien Buytendijk for Gallery 'T':
Hermien artfully puts life into perspective with ceramic sculptures that subtly move between dream and reality.

Her sculptures often do something that is not quite possible, they seem to just escape reality but give a sharp impression of it. With humour and double meanings, she creates creatures that everyone will recognise with a smile. Human and animal figures merge with musical instruments and objects to original unique pieces and each object gets its own name.

The subjects are created from a fantasy taken from life, all different and surprising.
The sculptures are usually placed on wooden or stone pedestals which are decorated to match.
The work has the colours of the earth with here and there a touch of gold and graphic elements.

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Hilde de Rooij (NL)


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Ida Scheijgrond (NL)


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Ilse Scholten (NL)


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Ina Marcus (NL)


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Ingrid Breuers (NL)


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Irene van der Does de Bye (NL)

Glass

Colourful birds made in glass fusion placed in a recuperated metal barn window


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Jack van Iwaarden de Vreede (NL)

Bronze, Corten, Steel - Thme: figures and ideas with a few lines

Refined figures in bronze, corten or steel drawn with a few simple lines


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Jan van Strien (NL)


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Jan Vander Elst (B)


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Jan Verschueren (B)

A Poetic Alternative Universe


Tone Aanderaa:
Bits and pieces, old remnants, junk and beautiful scrap are found and welded together, haphazardly careless or carefully planned.
A new world evolves, new machines are invented, and then inhabited.

Fantastical, playful, filled with humour, and then there is this almost indescribable something, a sadness, a melancholy, certainly human.

All of which makes it Poetry.
And, as with most poetic artist, titles are important.

Jan Verschueren plays with the senses, and he plays with words in a most endearing way!

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Jean de la Kethulle (B)


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Jean-François Constant (B)

Glass


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Jean-Jacques Richard (B)


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Jean-Luc Absil (B)

Bronze, resin

Reaching for the unattainable emotion


Jean-Luc Absil creates his sculptures in clay and wax and the casts are in bronze and resin.

Jean-Luc Absil has an eye for details. He looks constantly for the elegance, the emotion that the female body evokes by its restraint or by its provocation.
The natural sensuality of the woman he depicts leads the viewer to take a serene look at her nudity.

By magnifying, even deifying the woman, he creates the 'Femme Sacré'.
Jean-Luc Absil tries to immortalise the overall image of the Female Goddess.

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Jean-Luc Godard (B)


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Jeannette Mimi Funk (B)


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Jennifer Vrielinck (B)


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Jenny Dejager (B)


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Jeroen van Wijk (NL)


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Jo Gisekin (B)


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Johan De Graeve (B)


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John Hoogeveen (NL)


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Joke Van Broeckhoven (B)

Fusion paints between layers of fused glass

Evoking the emotion by seeing the beauty of the nature to the viewer


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Joris Iven (B)


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Jos de Klerk (NL)


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Julia Beirinckx (B)


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Kavita Vlieghe ()


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Kenneth Swaenen (B)


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Kris Lauwereys (NL)


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Laurent Dumortier (B)


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Lebuïn D'Haese (B)

Bronze, ceramic

Only one subject: the human being


Vision:
Lebuïn communicates through his work with the audience, which gets an insight into his ideas and opinion. Being an artist is not free obligation for him. Art for art's sake is not his concern. He is a committed artist with only one subject: the human being. (Gui Kestens)

Luc Clerinx:
Lebuïn DÂ’Haese watches ‘la comédie humaine” slightly ironically, deeply moved he watches ‘humanity and its woesÂ’. What he sees and how he sees these things is brought to life in his statues.
Always thinking visually, acting visually. Frugal forms, the omission of excessive details, and the suppression of subjective emotions steer the dramatic poignancy in these statues in the right direction.

Frank De Vos:
Always thinking visually, acting visually. Frugal forms, the omission of excessive details, and the suppression of subjective emotions steer the dramatic poignancy in these statues in the right direction.

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Lieuwke Loth (NL)


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Lieve Desmet (B)


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Lieve Lambrechts (B)


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Linde Moreel (NL)


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Loes Knoben (NL)

Bronze

Bronze 'branches' show women full of elegance, movement and expression. The lines of the artwork express the emotion found in faces


The bronze women (?) sculptures of Loes Knoben show expression, movement and tension.

Loes Knoben is always looking for wood, branches and bark, weathered by wind and weather. In them she searches for strength, rhythm and balance. It starts a discovery voyage to new art works.
The used natural materials leave their mark on her sculptures. The wooden twigs become arms and legs.

The art of Loes Knoben reflects her view on life, her talent to observe people, fathom their feelings and translate them into beautiful expressive bronzes.

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Louis 2 Verdal (F)


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Luc Geldolf (B)


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Luc Libon (B)


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Lucie Putzeijs (B)


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Luk Luts (B)


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Lut De Baere (B)

Metal scrap from an exploded sunken barge

The pieces of the CBR81 puzzle reveal a wonderful world full of eccentric characters


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Luth del Oz (B)


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Maggy Ottenburgs (B)


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Marc Bungeneers (NL)


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Marc Hadermann (B)

Glass

Wandering in a wonder world


During - and after a career as a graphic designer and product developer, Marc Hadermann devoted himself to the visual arts. The last decade, he mainly worked as a glass artist.
He is inspired by nature and images in the world around him. Wandering around, he collects images, looking like an astonished child with strange perceptions.
Fascinated by 'light' and 'transparancy' he is giving the spectator an opportunity to observe the world through his eyes.
His art, paintings or glass installations, are always pure, without rules, honest, straight and with no compromises.


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Marc-Paja Hadermann-Van Dyck (B)


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Margriet Hidding ()


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Marianne Loeble (Spain)


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Marianne Ouwendijk (NL)


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Marie Biesmans (B)


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Marie Thys (B)

Bronze

Create to express my observations or emotions


Marie Thys:
Having always had a passion for animals and their behavior, they became finally her favorite topic. The biggest part of her work is devoted to observing them and looking for their expressions, their movements, and their fragility.
Each of all her sculptures is realized using the technique she thinks is most appropriate for the animal, either wax, plaster, or clay. Then the piece is molded and cast by the process of lost wax, to finally end up with this noble material that is bronze.

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Marie-louise Hellemons (NL)


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Mariëlle Matthee (NL)


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Marije Gies (NL)

Glass (stained & fusion glass)

Colour and Light and Light and Colour



Marije Gies:
I have always loved working with colours, and with glass because the interaction with light adds a whole new dimension, constantly changing and making the most beautiful atmospheres.

Works:
Marije Gies uses different techniques, such as stained glass, tiffany, glass fusing, slumping and casting.
Besides her own art, she does commissioned works, such as stained-glass windows, restoration, glass art and workshops.

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Marijke Verachtert (B)


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Marja Steinmetz (NL)

Glass casting and fusion

Colourful fantasy world captured in glass


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Martine Bronzin (B)


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Martine Rouhart (B)


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Matthias Van de Velde (B)


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Michel Stavaux (B)


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Mieke Oldenburg (NL)


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Nanda van Druenen (NL)


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Nanesa (B)


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Nathalie Boutiau (B)


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Nele Bruynooghe (B)


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Nele Schildermans (B)


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Niels Snoek (NL)


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Paja Van Dyck (B)

Glass sculptures, jewellery, dot-painting, miniature worlds under a glass bell

Combining glass, various materials and techniques into glass jewellery, sculptures and miniature worlds under a bell jar


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Pascal Lemoine (F)


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Patricia Duterne (B)


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Patricia Fontaine (B)


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Peter Pel (NL)


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Peter van Limpt (B)


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Philippe Nicodème (B)


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Pierre Closset (B)


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Pierre Feuye-Scyzo (F)


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Pierre Michaux ()


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Pit Kinzer (D)


Portrait by @Eleonora Eitler

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Priska Jacobs (Switzerland)


Insect village:
Priska Jacobs: 'Sometimes they are a pain, but insects are fundamentally very important to us. They pollinate plants and keep parasites at bay. By decomposing organic material, they ensure new plant growth and, as they are at the beginning of the food chain, they also ensure biodiversity among larger animals.

To thank the insects for all this, I have built them a modern glass villa, the walls of which are lined with their favorite food. We are also allowed a glimpse of their most loved meal through the polished windows. The cast glass catches the light and creates a wonderful atmosphere for our mini heroes. The house is an eye-catcher in any garden. But we are strictly forbidden to enter. For insects only!


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Ria Van der Mueren (B)


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rik dereeper ()


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Roger Nupie (B)


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Roland Menten (B)

Composite

Snails, frogs, flowers, mushrooms are endlessly combined, but always surprising, humorous and perfectly executed


The Snail

The artistic creations of Roland Menten show always a humorous note that is often in contradiction or gives an unexpected view on our stressed and perfectionist society. He builds up an entire oeuvre on and around snails, frogs, leaves, mushrooms, ... In short, nature. In his work, he gives snails a place of honour.

The beauty of Roland Menten's works is that they grow along with nature.

On the one hand, through the use of polished and rough surfaces, the lichens become spectators and at the same time they take a part in the story told by the artwork.

On the other hand, through the alternating use of colours, the works conquer their place in nature, which softens their dominance by incorporating the sculpture into the life of the vegetation.

The works of art by Roland Menten feel at home both in a modern design and in a classical interior, in an austere French garden as well as in natural vegetation, but they always elicit a smile :-)

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Roos Mannaerts (NL)

Bronze, ceramic, composite with attention to the patina

Narrative sculptures. Both classic and contemporary stories and themes. Selective utilisation of details


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Rudi Helven (B)


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Sacha Valsamides (B)


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Sandrine Davin (F)


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Sarah Michaux (B)


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Savina Gillès de Pélichy (B)

Bronze & Ceramic

Touching the earth to bring the fauna to life


Savina Gillès de Pélichy
Because family life is so demanding, I preferred to put my professional activities to one side and devote more time to my children. However, art, whether through painting, sculpture or even expressing my emotions through writing, now enables me to find a serene balance.


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Silke Peeters (B)


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Simonet Biokou (Bénin)


Subjects:
Sculptures made of recycled materials, inspired by his African roots. They show a humorous take on our daily lives. Many of his works come into their own both indoors in winter and in the garden during summer.


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Stanwood Wind Sculptures (U.S.A.)

Copper, brass, lifetime warranty

Highest quality kinetic wind sculptures


Stanwood Wind Sculptures:
They are the highest quality kinetic sculptures available on the art market. All the wind sculptures are beautifully designed, meticulously crafted. They only use copper and brass as building materials. All spinners are finely balanced and will spin with the slightest breeze. All our wind sculptures are covered by a lifetime warranty.

Lifetime warranty:
The Stanwood products are fully warranted to the original owner against defects in materials and workmanship. If a Stanwood product fails due to a manufacturing defect Stanwood will repair or replace the product free of charge, at our discretion (transportation costs not included).
This lifetime warranty does not cover damage caused by accident, improper use or installation, negligence, normal wear and tear, or the natural breakdown of materials over time.

Stanwood also provide easy to replace spare parts, e.g. the stainless steel ball bearings.

Art Sanctuary will support you in the communication with Stanwood.

Installation:
All artworks include a full installation manual. It can also downloaded by the Art Sanctuary website. There're also videos explaining the installation.
Art Sanctuary can help you to install the wind sculpture at your home for a fixed price depending on the wind sculpture.

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Sylvie Gaudissart (B)


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Tessa Van Herck (B)


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Thierry Moral (F)


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Thijs Mulder (NL)


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Tom Veys (B)


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Tone Aanderaa (Norway / Belgium)

Painter


Tone Aanderaa:
Norwegian painter inspired by nature and the environment.


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Toni Kanwa Adikusumah (B / In)

Bronze, metal, wood. Theme: Ritual and spiritual art

Creating passages, opening the mind, resulting in spiritual and ritual objects in wood and bronze


Luc Schreiden (adapted):
The originality of the works of Toni Kanwa Adikusumah lies in the alliance between the primitive arts and contemporary art, between the depth of the East and the creative freedom of the West. The synthesis he achieves sublimates dualities.

Influences:
Toni Kanwa Adikusumah was born in Java, Indonesia. The first part of his life he was immersed in the heart of several indigenous tribes where culture and ritual arts were still a matter of life and a necessity for humans. His knowledge of ancestral techniques and his spiritual roots are exceptional. As a graduate of the Bandung Institute of Technology, he was for more than fifteen years an expert in tribal art for Sotheby's and Christie's in Jakarta and Bali.

Recently:
Since the 2000s, Toni Kanwa Adikusumah has been travelling the world, notably allowing himself to be touched by the influences of the European art scene.
The artist presents at ‘The Enchanted Garden’ a series of wooden sculptures and bronze creations revealing the flow of vital energy resulting from his unusual path and the duality between East and West.

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Vera Steenput (B)


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Viviane Rose (NL)


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Wannes De Craene (B)


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Will Schropp (NL)

Wood

The sculpture has to be as if it was the only possibility for this piece of wood


Will Schropp:
Lines, groves, the ribbing and the character of the wood play a big part in my sculptures. Wood has a lot of possibilities, but even more impossibilities, between them I create my sculptures.

'Life' and the eternal dream of 'Flying' are subjects of my sculptures. When I carve I am conscious of the nature, I see my work as a synthesis between design and nature. I finish my sculptures in such a way that people are prompted to touch them. Wood shows history and trees played a role in mythology. If possible I use those elements.


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Willy Peeters (B)

Bronze

Images full of contrasts: figurative yet abstract, rough but sensitive, groups made up of individuals, narrative symbolism


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Wilma Sass (NL)


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Woodstock chimes (U.S.A.)

Aluminium with various finishes, wood, metal

Musically tuned, affordable, high quality chimes that enhance well-being through beautiful sights and sounds


Garry Kvistad:
As a music student in the 1970s, Woodstock Chimes' founder, Garry Kvistad, became fascinated by ancient scales that could not be played on modern instruments, so he decided to build a metallophone (a xylophone-like instrument with metal bars) on which he could play the ancient scale of Olympos, a Greek flute player from the 7th century B.C.. Being an ecologically minded recent college graduate on a tight budget, Garry found the materials for his metallophone at a landfill, it was made from the aluminum tubes of a discarded lawn chair! Garry's metallophone experiment was so successful, he had the idea to cut and tune aluminum tubes to create windchimes, and Woodstock Chimes was born!

Why Choose Woodstock Chimes?

  • Woodstock Chimes are the original, musically tuned high quality windchime
  • Woodstock Chimes are tuned to beautiful melodies and scales from around the world
  • Woodstock Chimes were created by GRAMMY® award-winning musician Garry Kvistad
  • Available in a wide range of styles, songs and sizes, you can choose the Woodstock Chime that speaks to your soul
  • We stand behind every product we make with a one-year warranty and a lifetime tuning guarantee on our musically tuned chimes
  • Woodstock Chimes are The World's Favorite Windchime - the chime more people ask for by name
  • Woodstock Chimes are the choice of discerning customers for over 40 years!

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Xavier Dumont (F)

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